Two hot-ticket motion pictures show Indian film industry is moving past Bollywood

1:10 AM |
Harish Kumar viewed himself as fortunate to seize a ticket on a late night at Cinemark's sprawling theater complex at the Howard Hughes Center in Westchester. 

The 20-year-old understudy wasn't certain he'd get a seat for a motion picture that has had sold-out group following its presentation. However, it wasn't a major blockbuster, for example, "Mission: Impossible," "Flunkies" or "Jurassic World" that Kumar went to see. 
The hot ticket was for the epic activity dream flick "Baahubali," an Indian send out that has the uncommon qualification of being an outside film that is broken into the main 10 at the U.S. film industry. Furthermore astonishing, it was the second Indian film to assert the same gloating rights this mid year. 

"Baahubali" and the tragedy" "Bajrangi Bhaijaan" have netted a joined $15 million since opening in late July. This is the first run through two Indian-created movies have split the movies diagrams around the same time, and experts say it shows an ostracize crowd flexing its muscle at the cineplex. 

"It is amazing that "Baahubali" opened in only 170 areas in the U.S. furthermore, made over $3 million in a weekend," Rentrak expert Paul Dergarabedian said. "It was rivaling films that were in two to four thousand areas but made it to the main 10 in an ocean of summer motion pictures."

The success of the films mirrors the surge of the Indian American population in the U.S. The U.S. Census Bureau reports that the number of people of Indian ethnicity grew by nearly 70% between 2000 and 2010 to more than 2.8 million.

California alone has more than half a million Indian Americans, with the Greater Los Angeles area home to nearly 120,000.

The success of "Bajrangi" and "Baahubali" also shows how the Indian film industry has evolved beyond the song-and-dance-packed Bollywood, its most visible and prominent export.

Bollywood is the commercial Hindi-language cinema that dominates Indian movies. India, however, has more than 20 widespread regional languages, each with its own film industry. Movies made in Telugu and Tamil, two regional languages, have wide appeal all over India. "Baahubali" was made in both Telugu and Tamil.

"Baahubali" was the ninth-highest-grossing film in the U.S. when it opened on July 9. The movie stars Prabhas and Rana Daggubati, with acclaimed filmmaker S.S. Rajamouli as the director.

The film has gotten acclaim for its innovative activity arrangements and PC representation, both of which were mounted on a scale already inconspicuous in Indian silver screen. It's as of late hopped to No. 3 on the rundown of most elevated netting Indian motion pictures ever. 

"Bajrangi Bhaijaan," a nostalgic dramatization, likewise was the ninth-most elevated earning film when it opened July 17. It takes after the account of a Pakistani young lady who loses all sense of direction in India before discovering her way back home, and is the fifth-most elevated netting Indian motion picture ever constructed. On its opening in the U.S., it even outgrossed "Mr. Holmes," the Sherlock Holmes dramatization featuring Sir Ian McKellen. 

The principal full-length Indian film was made in 1913, and from that point forward the nation's silver screen has produced a taking after not simply in South Asian and Middle Eastern nations additionally in the previous Soviet Union, Western Europe and the U.S. India has turned into the world's fifth-biggest film market, with income of around $1.5 billion a year, as indicated by the Motion Picture Assn. of America. 

Ticket costs are low by American principles, yet blockbuster Indian motion pictures make between $50 million to a $100 million in gross income. The 2014 hit "PK," for instance, was made on a financial plan of about $13 million and earned more than $110 million around the world. 

Nowadays, business Bollywood flicks exist together with all the more basically acclaimed movies. Three Indian motion pictures have been designated for outside dialect film subsequent to the first Oscar gesture for "Mother India" in 1958. The Academy Award-winning film "Slumdog Millionaire," a British creation set in India, acquired both Indian performing artists and a Bollywood ethos.

Yet it is the big summer blockbusters, much like in Hollywood, that draw the crowds.

Read about the lives of thousands of stars on Hollywood's Walk of Fame >>
Read about the lives of thousands of stars on Hollywood's Walk of Fame >>
"Five years ago, the biggest Bollywood film would open in about 120 theaters. Today, the top ones often open in over 250 locations as more theaters in more parts of the country have been getting in on the action," said Gitesh Pandya, head of box office analysis site Box Office Guru.

That's still a small number compared with the thousands of theaters that Hollywood films play in. There are less than a dozen theaters in the U.S. that play Indian films exclusively, according to Pandya. They're in places with affluent Indian communities such as San Jose, the Chicago suburb of Niles, Ill., and Falls Church, Va.

Many Indian films also play in big-chain multiplexes such as AMC, Regal and Cinemark. New York, New Jersey and the Bay Area see the top grosses for Indian movies nationwide, and Chicago, Houston, Dallas and almost all of the top 20 markets in the U.S. have solid ticket sales for Indian films.

"Demand for Indian movies is going up all the time," said Raman Sanchula, owner of Towne 3 Cinemas in San Jose and Moviemax Cinemas in Chicago. Both theaters play predominantly Indian films. "Also, every year more and more Indianstudents come to U.S. universities. They are a big part of our audience."

Those fans also bring Indian ways of celebrating. They throw confetti at the screen when their favorite actor appears. "In India, people throw money," Sanchula says.

For many expatriates, Indian movies also offer a connection with the homeland. Some 87.2% of Indian Americans in 2010 were foreign-born, according to the Pew Research Center. This is the highest of any Asian population in the U.S.

However, the chances of these films having wide cross-over appeal to non-Indians appear slim.

"Indian films often mix different genres into the same movie," said film critic Danny Bowes, who wrote about Bollywood for Rogerebert.com. "So one minute you're watching a heist movie, the next a romantic comedy. And then the actors break into song." This kind of style might be intimidating for non-Indians, he said.

For Indian audiences, that format is a familiar and essential part of their passion for the movies.

At the recent screening of "Baahubali," the audience gave a standing ovation when the movie was over. Kumar said he was excited to see the performance of Indian actor Prabhas, who goes by one name and is one of India's biggest male leads.

"I was a huge fan of Prabhas before I came to America," Kumar said. "I'm so glad I get to watch him on the big screen in Los Angeles."
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Shah Rukh Khan is as of now caught up with taping Dilwale and Fan.

3:49 AM |
A source says, "Karan should head toward SRK's place with Shaandaar chief Vikas Bahl and lead pair, Shahid Kapoor and Alia Bhatt, after the film's first trailer was revealed. It was not any festival as being what is indicated, but rather a calm social event. Notwithstanding, he needed to cross out the arrangement at the spur of the moment because of his tight calendar."
It is said that the performing artist is at present wrapping up his Christmas discharge, Dilwale and Fan too.

While the star was not accessible for input, a source near the performing artist denies the buzz saying, "Shah Rukh continues bringing his companions over for supper at whatever point he is around the local area, so this was nothing uncommon or elite."

In any case, he is to a great degree occupied nowadays and shooting constant. He has no time to have any get-together thus, these bits of gossip are not genuine. In the event that he had truly welcomed somebody, he would have certainly balanced his timetable," the source included.
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"Baahubali" (Hindi) 35-Day Box Office Collection: SS Rajamouli's Film Makes Decent Business in Fifth Week

3:38 AM |
Hindi variant of "Baahubali" keeps on performing admirably in the cinematic world. Indeed, even in its fifth week, the film has figured out how to make OK business.
 Before the end of its fifth weekend, "Baahubali" had earned Rs. 111.56 crore at the Bollywood film industry. Amid the extended weekend (Friday, Saturday & Sunday), it had raked in Rs. 84 lakh, Rs. 1.23 crore and Rs.1.63 crore, individually. 

On Monday, the film saw an enormous dunk in gathering and made just Rs. 59 lakh. This was a characteristic drop in business as it was a working day. On Tuesday, the business saw a minor increment with the motion picture gathering Rs. 60 lakh. 

In the following two days, the Hindi adaptation of "Baahubali" earned Rs. 59 lakh and Rs. 61 lakh individually, to take its aggregate business of five weeks (35 days) to Rs. 113.95 crore. This is an extraordinary film industry number for a named Hindi motion picture. 

Additionally, "Baahubali" has made such business regardless of confronting rivalry from movies like "Bajrangi Bhaijaan" and "Drishyam". 

"Baahubali" has initially been made in Telugu and Tamil dialects and named into Hindi and Malayalam. The four forms were discharged all the while despite the fact that there were issues in Kerala over their discharge. The flick has ended up effective in every one of the variants, which once in a while happens in India.
The universally-accepted content with the high-class technical quality won the hearts of the audience across the nation. It is a two-part movie, of which the first part was released on 10 July. The part two will release in 2016.

The two-versions of "Baahubali" has been made with the budget of Rs. 120 crore and Rs. 130 crore, taking the total budget to Rs. 250 crore. The total collection made by four versions of the flick is close to Rs. 550 crore worldwide.

The movie has Prabhas, Rana Daggubati, Anushka Shetty and Tamanna Bhatia in the lead roles. Ramya Krishnan and Sathyaraj play important roles in the film, which is written by Vijayendra Prasad and directed by SS Rajamouli.
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Home away from home

8:26 PM |
Nepalis are frequently inquired as to whether they have climbed Mt Everest. In Britain, individuals continue inquiring as to whether they are Gurkhas, especially in towns like Nuneaton where there are huge Nepali populaces because of Gurkha bases close-by. 
Having grown up with Nepalis, English producer Joel Davidson needed to challenge these generalizations through a film. "I picked up an understanding into an intriguing group, and I thought the most ideal approach to regard their way of life was to catch it with my camera," he says. 

A year prior, Davidson began shooting short film pictures of Nepalis in Nuneaton, 165km from London. He saw that his subjects had significantly more to say and that is the point at which he hit on the thought of making a smaller than usual narrative (a shorter type of a narrative, shifting somewhere around 2 and 25 minutes), called NEPS on them. 

The Media creation move on from Coventry University decided to concentrate on his companions, the second and third eras of Nepalis who had left Nepal when they were adolescents. "I needed to watch these youths who have British citizenship and in the meantime have solid social roots in Nepal," he says. 

Davidson says youthful Nepalis of Nuneaton are a positive representation of the adolescent all in all. "They sort out occasions that advantage their group, as well as the whole town," he says. "On the off chance that Nepalis were not there, Nuneaton would have been an exhausting town." 

Davidson began chipping away at NEPS from the point of view of visual human studies enlivened by the French producer, Jean Rouch. It is a silver screen vérité method that lets the camera move without the characters being guided. 

A month ago, Davidson was in Pokhara (pic) to shoot his narrative joined by Bijay Gurung, a youthful Nepali from Nuneaton who returned to Nepal to change over to Christianity. He will join the British Army when he comes back to Nuneaton. 

The youthful movie producer knew it is trying to shoot in Nepal as he doesn't kne anything about the nation before arriving, and beyond any doubt enough there were astonishes and postponements. 

"Such a lot of sticking around made me comprehend Nepalis so vastly improved," says Davidson. Regardless of the possibility that he never attempted to push things in Pokhara, he concedes some of what was characteristic for the characters did not appear to be normal to him, as a producer. 

"NEPS may not be the most reasonable film, but rather it's the most genuine," Davidson told Nepali Times after a shooting at Pokhara's Peace Pagoda. 

In Nepal, dialect was likewise an obstruction. While shooting in England, the characters were talking in English and when they touched base in Nepal, they intuitively changed to Nepali. 

When he began shooting NEPS in England, Davidson got a lot of backing from the Nepali group there. "They are truly pleased to see that somebody is keen on their way of life," says the movie producer. "What's more, they are eager to watch the film." 

Davidson as of late got critical money related assistance from Joanna Lumley, the English performing artist known for her crusade to give all Gurkha veterans the privilege to settle in Britain. Her dad served in the British Army with Gurkhas. 

NEPS will be discharged in June, and Davidson arrangements to reveal to it in ethnographic film celebrations in Europe. He will likewise go with NEPS in England to screen it in towns with substantial populaces of Nepali
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Yakub Memon's part in 1993 Mumbai serial impacts

8:23 PM |
A CBI officer educated Yakub Memon about the TV meet only minutes before he was escorted to the Doordarshan recording studio; Memon was down the middle a brain to cannot, however later utilized the chance to differentiate the world that one from the other from Tiger Memon, alternate Memons were OK, reputable subjects - 

Portions from S Hussain Zaidi's 'The shopping extravaganza following Thanksgiving' Chapter 13, Pages 229-241 By the time Yaqub Abdul Razak Memon, the third of the Memon siblings, was in his mid thirties, he had effectively procured the notoriety of being the best perused and sharpest criminal that the Bombay police had ever known. Be that as it may, Yaqub's story was bizarre. Instructed in English-medium schools and school, he graduated with a degree in business. He turned into a sanctioned bookkeeper in 1990. His bookkeeping firm was rapidly effective, and in 1992 he won a grant for the best contracted bookkeeper in the Memon group. - 

In 1991, he dispatched a bookkeeping firm called Mehta and Memon Associates, with his youth companion Chetan Mehta. Later there was a third accomplice: a kindred bookkeeping understudy Ghulam Bhoira. At the point when this firm shut down in 1992 Yaqub began another called AR & Sons. He additionally set up a fare firm, Tejareth International, with its office at Samrat Cooperative Society, Mahim, to fare meat to the Middle East.
So great was Yaqub's financial success that he bought six flats in the Al-Hussaini building, Mahim, where Tiger owned two duplex flats. In the same year, he married Raheen in a lavish ceremony at the Islam Gymkhana, and many people from the film world attended the wedding. He and Tiger were dimetrically opposed to each other in nature. One had no compunctions about making money by illegal means; the other was suave, educated and successful through legitimate means.
It was Yaqub's well-known financial acumen that made the investigators suspect his involvement in the blasts case. During the investigations, it was found that complex financial transactions had taken place through several of Tiger's accounts, and the police assumed that Yaqub must have organized these.
The crime branch alleged that Yaqub had remitted Rs 21,90,000 to Samir Hingora and Hanif Kadawala on 13 March 1993 to distribute to the other accused. The payment was supposedly arranged over the phone so that there were no records. During their search of the Memon flats in Al-Hussaini, the police had come across documents that showed that the family had four NRI accounts at the Turner Road, Bandra, branch of the Hong Kong and Shanghai Banking Corporation (HSBC).
The accounts were in the names of Tiger's brother Ayub Memon (account number 11679297-07), his wife Reshma Memon (account number 11679813-07), Tiger's brother Suleiman's wife Rubina Memon (account number 11979321-07) and Tiger's wife Shabana Memon (account number 11679305-07). The police said that $61,700 was deposited in cash in the British Bank of Middle East, Dubai, from there it was transferred to Marine Midland Bank in New York, USA, and then to these accounts in HSBC.
They suspected that this was an attempt to conceal the source of the money. Yaqub had the authority to handle the accounts of the entire family and they suspected that he had used this money to pay various people, including his own company. Since the entire amount was tendered at the British Bank of the Middle East in Dubai, the police thought that somebody had financed the operation, fully or at least partly, from abroad.
The police also discovered that between December 1992 and March 1993, various accounts at the Mahim branch of the Development Cooperative Bank in the names of Tejareth International and Al-Taj Exports as well as the personal accounts of the Memon family showed heavy cash transactions. The balance in all these accounts on 12 March stood at meagre amounts. Clearly the accounts had been emptied prior to the blasts.
All this careful financial planning made the investigators conclude that Yaqub Memon must have been involved. Accordingly, in December 1993, a reward of Rs 5 lakh was offered for anyone who had information about his whereabouts. On the morning of 21 July 1994, a well-dressed businessman carrying a Pakistani passport in the name of Yusuf Mohammed Ahmed sauntered through Tribhuvan International Airport, Kathmandu.
He had just got off the PIA 250 flight from Karachi. Though he looked serene, Yaqub Memon's mind was in turmoil. For the last seventeen months, he and his family had been on the run, and the life of a fugitive was wearing him down. Yaqub took a taxi to Karnoli Hotel, accompanied by his cousin, Usman, who had come to receive him. They stayed at the hotel for three days. It was a time for introspection.
The Memon family had been in Dubai on 12 March 1993. The Indian government had been putting pressure on the UAE government to repatriate them. Initially, the UAE denied the Memons were there, but eventually requested them to leave. In early April, an ISI agent escorted the family to Karachi. Each person was supplied with a Pakistani passport and a national identity card.
Meanwhile, the Indian government had received information that the Memons were in Karachi and asked the United Nations, the US and various European countries to support their request to Pakistan that the Memons be handed over. Therefore, on 15 April the Memons, escorted by four ISI commandos, took a Thai Airways flight to Bangkok, where they were accommodated in a spacious bungalow on Pattaya Road.
It was virtually house arrest, as they were not allowed to leave the bungalow and were under constant surveillance. After twelve days, the protests by the Memon family grew so intense that they were brought back to Karachi again. They were housed in the Karachi Development Scheme area, popularly known as the Defence Colony and predominantly inhabited by army officials and personnel. This was a high security zone and meant that the Memons were virtually untraceable.
Since then things had been better. Yaqub had gone to Dubai for a week on his Pakistani passport, though always trailed by ISI men. He realized that for his family, there would never be true freedom again. There were two choices before him: he could live with this polite imprisonment by Pakistan, or he could go back to India, face a trial and try to clear his name. These were the options he had come to Kathmandu to try and think about.
He decided that the best option for him was to try to make a deal with the Indian government and convince them that the rest of the Memon family was innocent. It was better to try to go back to their old lives rather than live at the mercy of the Pakistan authorities, as tales of the intelligence services killing off those who had outlived their usefulness were legion. He was especially concerned about his parents, who were now old and deserved better, and for his wife Raheen who was due to deliver their child soon. He did not want his child to live his whole life under the shadow of fear.
On 24 July, Yaqub was back at the airport at 8.15 a.m., checking in for the 10.45 a.m. Lufthansa flight LH 765 from Kathmandu to Karachi. At about 9.15 a.m., after he had cleared immigration formalities, he went in for the security check. On opening his briefcase, the officer found two passports belonging to him-Indian and Pakistani-as well as passports of all the other members of his family, a Pakistani national identity card, and a large amount of Pakistani and US currency.
The Nepal police informed Interpol and later New Delhi. The interrogation began at Kathmandu itself, and continued for three days, with both Indian and Nepali police participating, though the latter's involvement was minimal. On 28 July, a blindfolded Yaqub was reportedly dropped off at Sunoli, on the border of UP, at 3 a.m. He was hungry and totally drained of energy. He was taken to Gorakhpur, about two hours by road from Sunoli, and then flown to Delhi in a special plane.
On the plane, Yaqub met Union Home Secretary K. Padmanabhaiah who headed the CBI investigation in Delhi. Until now events had been more or less as Yaqub had scripted them when he placed his two passports in his briefcase. At 4.30 a.m., 5 August, Yaqub Memon approached New Delhi railway station. He was carrying a briefcase and a suitcase, containing various incriminating documents. There are no trains that arrived or departed at that hour, so it was a somewhat odd time to be there.
Four CBI officers along with armed commandos were waiting. They had allegedly been tipped off that a member of the DCompany was out on the prowl. They descended upon Yaqub and whisked him away to the CBI headquarters at Lodi Road. Yaqub Memon was driven to Patiala House in a CBI van, preceded and followed by armed commando vans. He was produced in front of magistrate V.K. Jain, to whom he stated that apart from Tiger Memon, no other member of the Memon family was involved in the blasts.
He denied the CBI account of his arrest. He stated he had been arrested on 24 July, and had been in Delhi since 28 July, where the CBI had interrogated him. The CBI counsel C.S. Sharma and SP Harishchandra Singh however stuck to their story. The proceedings lasted an hour. Yaqub was remanded to CBI custody for thirty days. Yaqub Memon's arrest spread a wave of elation in Bombay.
Speaking to the press on 6 August, Sharad Pawar declared that Memon's arrest proved what he had always known: that Pakistan was involved in the conspiracy. Everyone involved in the investigation was elated, as there had been little development in the case since the filing of the chargesheet. JCP Singh too believed that the documents recovered from Yaqub established Pakistani complicity. With Memon's evidence, it would now be possible to arrest more people involved.
The CBI stated that they had recovered a video cassette from Yaqub, which had footage of the wedding of Taufiq Jaliawala's daughter Rabia at Karachi, where Dawood Ibrahim and members of the ISI were honoured guests. Yaqub was also carrying three audio cassettes on which he had allegedly secretly recorded important conversations that the CBI was now transcribing and analysing.
The media too found renewed interest in the blasts case. All newspapers reported the CBI version, but many carried Yaqub's denial as well. There was also much investigation and speculation about Yaqub's real role. 
There was considerable public and media speculation about how Yaqub, despite being under constant ISI surveillance, could fly out of Karachi, carrying incriminating documents. According to one theory, RAW agents had wooed him away; according to another, Benazir Bhutto was behind it as she was seeking to expose the security establishment which was loyal to her arch rival, the previous prime minister Nawaz Sharif.
A third theory was that Dawood Ibrahim had persuaded Yaqub to return to India to delink his name from the conspiracy. The CBI had announced a Rs 15 lakh reward for information about him. In an interview to India Today (31 July 1994) Dawood had said: 'I am in a desperate situation. The Indian government has reduced me to a mouse, one who is trapped and cannot move around freely.'
Dawood's link with the blasts, so far mentioned only in Dawood Phanse's confession, had been reinforced when one of his close aides Usman Gani Mohammed Memon, a hawala operator, had been arrested on 20 July by the anti-terrorist squad of Gujarat police. During interrogation, Usman stated that Dawood had wanted to avenge the killings of innocent Muslims and so acquired and arranged for the shipment of RDX, arms and other explosives from Pakistan to India.
The three hundred pages of Usman's diary contained the names of top businessmen and builders who sought Dawood's help to launder money. This arrest considerably bolstered the CBI's theory that Dawood Ibrahim had masterminded the blasts. During interrogation, Yaqub Memon stubbornly maintained that he had never met Dawood, and named Tiger Memon and Taufiq Jaliawala as the prime movers of the conspiracy.
The fourth theory about the arrest was that Yaqub had actually been on a business trip to Kathmandu and was apprehended while returning to Karachi. Off the record, CBI officials accepted this version. It was also speculated that the CBI had struck a deal with him, which all officials unanimously denied. Yaqub sat in the darkened room and gazed at the ceiling. There was hardly any sound around him, and he felt cut off from the world.
He thought about how his life had changed, of Raheen, who was due to have their first child in the first week of August. It was now 9 August, and he did not know if he was a father yet. He wished passionately that he had not left Bombay on 9 March. They would have undoubtedly faced a lot of trouble, but they would not have been branded traitors. He had now spent twelve days with CBI officers, patiently answering their questions for hours every day. He had celebrated a mournful thirty-second birthday on 30 July.
A CBI officer came to him and told him that he was to give an interview on television. Yaqub looked at him blankly. 'What interview?' The officer grinned broadly. 'You're about to become a celebrity. It will be on the national TV-Doordarshan-and the whole of India is going to watch you.' Yaqub was in half a mind to refuse, when it struck him that he could use this opportunity to let ninety crore of his countrymen know that apart from Tiger Memon, the other Memons were decent, law-abiding citizens. He asked the officer, 'When am I supposed to be on television?'
'We have to go in for a recording now, it will be aired later tonight.' He was escorted to the Doordarshan studio. The programme on which he was being interviewed was Newstrack, a half-hour news analysis show. In response to the questions, he narrated the tale of his journey to Kathmandu, his interception at the airport, and his handing over to the CBI. He stated that it was Tiger Memon and Taufiq Jaliawala who had been the kingpins, and explained how Tiger had been used by the ISI in the plot.
Finally, Yaqub was asked whether he had met Dawood Ibrahim. He denied meeting him, but said that he knew his name. The interview was aired on Doordarshan at 9 p.m. It created a huge sensation, as such an interview was unprecedented in the annals of Indian television. The government's aim had been fulfilled: the world had heard how Pakistan had been involved in the blasts and even now was sheltering its perpetrators.
Many viewers were impressed with Yaqub's courage and intelligence, and intrigued by the discrepancies between the CBI account and Yaqub's. There were eight armed commandos waiting at the arrivals terminal at Indira Gandhi International Airport, New Delhi. Several CBI officers also prowled around, keeping their eyes glued to the main arrival gate. It was 24 August 1994.
Air-India flight 736 from Dubai had already arrived. Soon they saw a group of six adults whose faces looked familiar and who had an uncertain air about them. Suleiman Memon and Isa Memon supported sixty-six-year-old Abdul Razak and sixty-year-old Hanifa. Immediately behind them walked a youth in his twenties, whom they assumed to be Yusuf.
Following him was Suleiman's wife Rubina and their two children, seven-year-old Iliyas and five-year-old Aliyah. Each of the adult male Memons carried a price of Rs 1 lakh, and each of the adult women carried a price of Rs 25,000. Only five adult members of the family were still missing-Tiger and his wife Shabana, Ayub and his wife Reshma, and Yaqub's wife Raheen who had recently delivered. The Memons had travelled to Dubai, where they had contacted the Indian embassy, filed their affidavits and informed the embassy of their intention to return.
The embassy had in turn informed the CBI, and escorted the group to the airport and on to the plane. As the group reached the CBI officers, one of them came forward, introduced himself and told them that they were under arrest. They were taken to a safe house in a central government police colony in south Delhi, guarded by eight ferocious-looking and fully armed commandos. Metropolitan magistrate V.K. Jain remanded them to CBI custody for fourteen days under TADA. The children were allowed to stay with the family. The media had no inkling about these arrests at that time.
-
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Simon Webbe wants an acting career in Hollywood.

3:15 AM |
The Blue artist has set his sights on turning into a star in America and is hoping to move to Los Angeles as he implied he would need to move there to make his blessing from heaven. 

He told The Sun daily paper: "Where I need to be is Hollywood. So in the event that I need to arrive, I've got the opportunity to gain my stripes. 

"It's about moving there would it say it isn't? In the event that I need to be considered important I've got the opportunity to move there." 

The 'One Love' hitmaker is no more unusual to performing in front of an audience as he is right now featuring on London's West End and was a competitor BBC's 'Entirely Come Dancing'.

Before the boyband hunk was in Blue he started his career in his hometown of Birmingham and had his first leading role in a school play when he was 15 and that's he decided to become a performer.

Talking about the Town Hall where it all started he said he always knew he wanted to “entertain and standout”.

He previously said: “I can identify with Hansom and the Town Hall is where I first went on stage, so I feel like I've come full circle now.

“I was the lead in a play called The Days of Our Childhood. I don't remember too much about it except that I loved being on stage.

“There was always a side of me that wanted to entertain and stand out.”
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